{"id":2439,"date":"2022-08-16T12:33:55","date_gmt":"2022-08-16T10:33:55","guid":{"rendered":"https:\/\/www.hannaka.fr\/about\/"},"modified":"2022-12-27T00:25:00","modified_gmt":"2022-12-26T23:25:00","slug":"about","status":"publish","type":"page","link":"https:\/\/www.hannaka.fr\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"\n<div class=\"wp-block-columns boxed-2 events is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h3 class=\"wp-block-heading\">Personal exhibitions<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2018<\/strong> \u00ab\u00a0Underground Flowers\u00a0\u00bb, Galerie Depardieu, Nice<\/li>\n\n\n\n<li><strong>2017<\/strong> \u00ab De M\u00e9moire \u00bb, Galerie Multiples un, Paris<\/li>\n\n\n\n<li><strong>2016<\/strong> \u00ab\u00a0Entre ciel et Terre\u00a0\u00bb, Galerie Depardieu, Nice<\/li>\n\n\n\n<li><strong>2016<\/strong> Galerie Philomuses, Paris.<\/li>\n\n\n\n<li><strong>2014<\/strong> \u00ab\u00a0Shades of Light\u00a0\u00bb, Galerie Rigassi, Bern<\/li>\n\n\n\n<li><strong>2013<\/strong> \u00ab\u00a0Hannaka chez Jean Fran\u00e7ois Bonnet\u00a0\u00bb, Galerie Depardieu, Nice<\/li>\n\n\n\n<li><strong>2012<\/strong> \u00ab\u00a0Mouvements immobiles\u00a0\u00bb Galerie Depardieu, Nice<\/li>\n\n\n\n<li><strong>2011<\/strong> \u00abR\u00e9tropective\u00a0\u00bb H\u00f4tel de Ville de Saint Laurent du Var<\/li>\n\n\n\n<li><strong>2011<\/strong> Exposition dans le cadre de la Photographie M\u00e9diterran\u00e9enne<\/li>\n\n\n\n<li><strong>2010<\/strong> Galerie Bal\u00e2stra. Bal\u00e2tre, Belgique<\/li>\n\n\n\n<li><strong>2010<\/strong> Espace Philomuses, Paris<\/li>\n\n\n\n<li><strong>2009<\/strong> Galerie du Fleuve Roy Sfeir, 6 rue de Seine, Paris<\/li>\n\n\n\n<li><strong>2009<\/strong> Galerie Crous, Paris<\/li>\n\n\n\n<li><strong>2007<\/strong>  Galerie Crous, Paris<\/li>\n\n\n\n<li><strong>2003<\/strong> Galerie \u00ab Terre des Arts \u00bb, Nice<\/li>\n\n\n\n<li><strong>2000<\/strong> Atelier d\u2019O, Bordeaux<\/li>\n\n\n\n<li><strong>1995<\/strong> Un jour, un peintre. Quai Branly, Paris<\/li>\n\n\n\n<li><strong>1993<\/strong> \u00ab La forme envahit l\u2019espace \u00bb, Galerie Crous, Paris<\/li>\n<\/ul>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Expositions collectives<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2022<\/strong>\u00a0\u00ab\u00a0L\u2019impermanence inh\u00e9rente \u00e0 la vie\u00a0\u00bb, Cabinet des curiosit\u00e9s, Lyon<\/li>\n\n\n\n<li><strong>2019<\/strong> Centre de la photographie, Marseille<\/li>\n\n\n\n<li><strong>2017<\/strong> Salon des Collectionneurs, hosted by Galerie Depardieu, Paris.<\/li>\n\n\n\n<li><strong>2016<\/strong>\u00a0Pr\u00e9sentation de la video \u00ab\u00a0Le Passage\u00a0\u00bb, festival OVNI, Nice<\/li>\n\n\n\n<li><strong>2016<\/strong>\u00a0Kuntz 16, Zurich<\/li>\n\n\n\n<li><strong>2015<\/strong>\u00a0Galerie Depardieu, Nice.<\/li>\n\n\n\n<li><strong>2014<\/strong> Photofever, hosted by Galerie Depardieu, Carrousel du Louvre, Paris<\/li>\n\n\n\n<li><strong>2014<\/strong> Kuntz 14, hosted by Galerie Rigassi, Zurich<\/li>\n\n\n\n<li><strong>2014<\/strong>\u00a0Exposition collectives Galerie Depardieu<\/li>\n\n\n\n<li><strong>2014<\/strong>\u00a0Art Karlsruhe Allemagne<\/li>\n\n\n\n<li><strong>2013<\/strong> Kuntz 13, hosted by Galerie Rigassi, Zurich<\/li>\n\n\n\n<li><strong>2012<\/strong>\u00a0Galerie Depardieu, Nice<\/li>\n\n\n\n<li><strong>2012<\/strong>\u00a0Galerie Cook, Antibes<\/li>\n\n\n\n<li><strong>2012<\/strong>\u00a0Galerie l\u2019Entrep\u00f4t, Monaco<\/li>\n\n\n\n<li><strong>2010<\/strong>\u00a0\u00ab\u00a0Voyage\u00a0\u00bb Centre des affaires de Nice. A\u00e9roport Nice C\u00f4te d\u2019Azur.<\/li>\n\n\n\n<li><strong>2009<\/strong> Salon d\u2019Art Contemporain AAF Paris.<\/li>\n\n\n\n<li><strong>2004<\/strong> Exposition d\u2019art graphique \u00ab Contre les tortures des prisonniers de guerre \u00bb, Suisse<\/li>\n\n\n\n<li><strong>1999-2004<\/strong> Exposition de petits formats Voeux d\u2019Artistes, Paris<\/li>\n\n\n\n<li><strong>1997<\/strong> Salon de la jeune Peinture, Paris<\/li>\n\n\n\n<li><strong>1995<\/strong> Salon de la Jeune Peinture, Paris<\/li>\n\n\n\n<li><strong>1994<\/strong> Salon de Montrouge<\/li>\n\n\n\n<li><strong>1993<\/strong> Exposition des dipl\u00f4m\u00e9s de l&#8217;\u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts de Paris, Quai Malaquais, Paris<\/li>\n<\/ul>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Awards<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>1993<\/strong> Prix de peinture Rocheron<\/li>\n\n\n\n<li><strong>1992<\/strong> Prix Singer<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns boxed-2 events is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Biography<\/h3>\n\n\n\n<p>Hannaka is a French artist born in Monaco on July 23, 1966, of a French mother and a Croatian father. She graduated from the \u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts de Paris in 1992. Her work received unanimous congratulations from the jury and the support of Jean-Michel Alberola and Shirley Jaffe.<\/p>\n\n\n\n<p>The artist integrates photography into her work from 1993 during a stay in Berlin. Hannaka works and exhibits for a few years in Paris, then, in 2001, she returns to live in the south and installs her studio in an old factory in the back country of Nice.<\/p>\n\n\n\n<p>During the following years, photography became her main medium. However, her formal approach to photography directly echoes her practice of drawing, a practice that she has loved since the beginning of her artistic experiments.\u00a0In her photographs, she seeks movement, erasure, impermanence, trace and remanence in the same way that a draftsman tames forms.\u00a0<\/p>\n\n\n\n<p>In 2007, during a solo exhibition at the Galerie des Beaux-Arts in Paris, she presented photographs from New York and began a collaboration with several galleries: Galerie du Fleuve (Paris), Galerie Rigassi (Bern) and Galerie Depardieu (Nice). Thanks to the support of her gallery owners, she produced her first solo exhibitions and began to participate in numerous collective events and international contemporary art fairs.<\/p>\n\n\n\n<p>In 2017, following a family tragedy, the artist&#8217;s work changes to become more intimate. It is no longer a work of observation of what surrounds him but a deep and intimate introspection that begins. A work linked to the body, to wounds, to childhood.&#13;\nShe returns to certain media that she had put aside: drawing, installation, video, writing, which she mixes with her photographs.<\/p>\n\n\n\n<p>In 2022, memory, absence and intimacy are the main themes that the artist addresses in his work.<\/p>\n<\/div>\n<\/div>\n\n<p><\/p>\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Personal exhibitions Expositions collectives Awards Biography Hannaka is a French artist born in Monaco on July 23, 1966, of a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2439","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.hannaka.fr\/en\/wp-json\/wp\/v2\/pages\/2439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hannaka.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.hannaka.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.hannaka.fr\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hannaka.fr\/en\/wp-json\/wp\/v2\/comments?post=2439"}],"version-history":[{"count":3,"href":"https:\/\/www.hannaka.fr\/en\/wp-json\/wp\/v2\/pages\/2439\/revisions"}],"predecessor-version":[{"id":2442,"href":"https:\/\/www.hannaka.fr\/en\/wp-json\/wp\/v2\/pages\/2439\/revisions\/2442"}],"wp:attachment":[{"href":"https:\/\/www.hannaka.fr\/en\/wp-json\/wp\/v2\/media?parent=2439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}