Séries photos
La Délicatesse
Hannaka Nice 2021
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Série tirée à 3 exemplaires
L’invisible désordre déborde en silence.
L’invisible désordre déborde en silence.
Sur la table
Hannaka 2018
Photos numériques sur papier Fine Art Hahnemühle mat 80cm x 55cm chaque
Série tirée à 3 exemplaires
Se laisser porter pas la douceur de l’absurdité.
Se laisser porter pas la douceur de l’absurdité.
Sur la table
Hannaka 2018
Photos numériques sur papier Fine Art Hahnemühle mat 80cm x 55cm chaque
Série tirée à 3 exemplaires
Sur la table
Hannaka 2018
Photos numériques sur papier Fine Art Hahnemühle mat 80cm x 55cm chaque
Série tirée à 3 exemplaires
Les Beaux Jours Effondrement III
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 55cm x 37cm et 21cm x 29,7cm
Série tirée à 3 exemplaires
Parfois sur le chemin, la brume épaisse.
Parfois sur le chemin, la brume épaisse.
Underground Flowers Effondrement II
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 110cm x 45cm
Série tirée à 3 exemplaires
Le corps doux apprivoise l’effondrement.
Le corps doux apprivoise l’effondrement.
L’heure du thé Effondrement I
Hannaka 2018
Photos numériques noir et blanc sur papier Fine Art Hahnemühle mat 21cm x 29,7cm chaque
Série tirée à 3 exemplaires
Le froid du carrelage. Le corps caméléon sur une couleur familière cherche sa douceur égarée.
Le froid du carrelage. Le corps caméléon sur une couleur familière cherche sa douceur égarée.
Jeux d’ombres
Hannaka Nice 2015
Photos numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Suivre un inconnu
Hannaka Paris 2015
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Exil
Hannaka 2015
Photos numériques et acrylique rouge sur papier fine art Hahnemühle mat Photos : 20cm x15cm, installation : 220cm x 70cm
Tirage unique
Installation de 40 photos dans le cadre d’une exposition sur les migrants à la galerie Depardieu
Les 40 photos racontent le voyage d’un homme forcé à quitter son village. Les photos sont en noir et blanc.
Un trait irrégulier à l’acrylique rouge, comme une veine, traverse le bas des photos et les lie ensembles.
Grandes Vues
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat Grandes Vues : 60cm x 60cm
Série tirée à 3 exemplaires
Lorsque New-York devient une composition géométrique.
Lorsque New-York devient une composition géométrique.
La corde jaune Berlin
Hannaka Berlin 1992
Photos argentiques noir et blanc et feutre jaune 21cm x 29,7cm
Tirage unique
Travail de photos et d’installations dans les rues de Berlin, dans le cadre d’un échange Erasmus.
« La peinture nous permet une expression totalement libre où tout est possible. Un paysage à l’envers, un être à deux têtes, une forme vivante et inconnue envahissant le paysage… Je voulais dans cette série rendre réelle une forme sortie de mon imagination. Elle pourrait se balader, poser avec mes amis. Je pourrais alors photographier ce que la peinture me permet. Rendre réel l’irréel.
La corde jaune née de cette idée, une corde de 60m de long, jaune comme les arbres en fleurs des avenues berlinoises. Tout d’abord elle se déploie dans les rues de Berlin, puis devient l’amie de mes amis. Je suis leurs balades dans les rues de Berlin et les prends en photo. »
Vois le rêve jaune s’accrocher au printemps.
Vois le rêve jaune s’accrocher au printemps.
La Délicatesse
Hannaka Nice 2021
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Série tirée à 3 exemplaires
La Délicatesse
Hannaka Nice 2021
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Série tirée à 3 exemplaires
La Délicatesse
Hannaka Nice 2021
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Série tirée à 3 exemplaires
Sur la table
Hannaka 2018
Photos numériques sur papier Fine Art Hahnemühle mat 80cm x 55cm chaque
Série tirée à 3 exemplaires
Sur la table
Hannaka 2018
Photos numériques sur papier Fine Art Hahnemühle mat 80cm x 55cm chaque
Série tirée à 3 exemplaires
Les Beaux Jours
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 55cm x 37cm et 21cm x 29,7cm
Série tirée à 3 exemplaires
Les Beaux Jours
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 55cm x 37cm et 21cm x 29,7cm
Série tirée à 3 exemplaires
Underground Flowers
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 110cm x 45cm
Série tirée à 3 exemplaires
L’heure du thé
Hannaka 2018
Photos numériques noir et blanc sur papier Fine Art Hahnemühle mat 21cm x 29,7cm chaque
Série tirée à 3 exemplaires
L’heure du thé
Hannaka 2018
Photos numériques noir et blanc sur papier Fine Art Hahnemühle mat 21cm x 29,7cm chaque
Série tirée à 3 exemplaires
L’heure du thé
Hannaka 2018
Photos numériques noir et blanc sur papier Fine Art Hahnemühle mat 21cm x 29,7cm chaque
Série tirée à 3 exemplaires
Jeux d’ombres
Hannaka Nice 2015
Photos numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Jeux d’ombres
Hannaka Nice 2015
Photos numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Jeux d’ombres
Hannaka Nice 2015
Photos numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Suivre un inconnu
Hannaka Paris 2015
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Suivre un inconnu
Hannaka Paris 2015
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Suivre un inconnu
Hannaka Paris 2015
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Exil
Hannaka 2015
Photos numériques et acrylique rouge sur papier fine art Hahnemühle mat Photos : 20cm x15cm, installation : 220cm x 70cm
Tirage unique
Installation de 40 photos dans le cadre d’une exposition sur les migrants à la galerie Depardieu
Les 40 photos racontent le voyage d’un homme forcé à quitter son village. Les photos sont en noir et blanc.
Un trait irrégulier à l’acrylique rouge, comme une veine, traverse le bas des photos et les lie ensembles.
Exil
Hannaka 2015
Photos numériques et acrylique rouge sur papier fine art Hahnemühle mat Photos : 20cm x15cm, installation : 220cm x 70cm
Tirage unique
Installation de 40 photos dans le cadre d’une exposition sur les migrants à la galerie Depardieu
Les 40 photos racontent le voyage d’un homme forcé à quitter son village. Les photos sont en noir et blanc.
Un trait irrégulier à l’acrylique rouge, comme une veine, traverse le bas des photos et les lie ensembles.
Grandes Vues
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat Grandes Vues : 60cm x 60cm
Série tirée à 3 exemplaires
Grandes Vues
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat Grandes Vues : 60cm x 60cm
Série tirée à 3 exemplaires
Grandes Vues
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat Grandes Vues : 60cm x 60cm
Série tirée à 3 exemplaires
La corde jaune
Hannaka Berlin 1992
Photos argentiques noir et blanc et feutre jaune 21cm x 29,7cm
Tirage unique
Travail de photos et d’installations dans les rues de Berlin, dans le cadre d’un échange Erasmus.
« La peinture nous permet une expression totalement libre où tout est possible. Un paysage à l’envers, un être à deux têtes, une forme vivante et inconnue envahissant le paysage… Je voulais dans cette série rendre réelle une forme sortie de mon imagination. Elle pourrait se balader, poser avec mes amis. Je pourrais alors photographier ce que la peinture me permet. Rendre réel l’irréel.
La corde jaune née de cette idée, une corde de 60m de long, jaune comme les arbres en fleurs des avenues berlinoises. Tout d’abord elle se déploie dans les rues de Berlin, puis devient l’amie de mes amis. Je suis leurs balades dans les rues de Berlin et les prends en photo. »
La corde jaune
Hannaka Berlin 1992
Photos argentiques noir et blanc et feutre jaune 21cm x 29,7cm
Tirage unique
Travail de photos et d’installations dans les rues de Berlin, dans le cadre d’un échange Erasmus.
« La peinture nous permet une expression totalement libre où tout est possible. Un paysage à l’envers, un être à deux têtes, une forme vivante et inconnue envahissant le paysage… Je voulais dans cette série rendre réelle une forme sortie de mon imagination. Elle pourrait se balader, poser avec mes amis. Je pourrais alors photographier ce que la peinture me permet. Rendre réel l’irréel.
La corde jaune née de cette idée, une corde de 60m de long, jaune comme les arbres en fleurs des avenues berlinoises. Tout d’abord elle se déploie dans les rues de Berlin, puis devient l’amie de mes amis. Je suis leurs balades dans les rues de Berlin et les prends en photo. »
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