Séries photos
La Délicatesse
Hannaka Nice 2021
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Série tirée à 3 exemplaires
L’invisible désordre déborde en silence.
L’invisible désordre déborde en silence.
Sur la table
Hannaka 2018
Photos numériques sur papier Fine Art Hahnemühle mat 80cm x 55cm chaque
Série tirée à 3 exemplaires
Se laisser porter pas la douceur de l’absurdité.
Se laisser porter pas la douceur de l’absurdité.
Les Beaux Jours Effondrement III
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 55cm x 37cm et 21cm x 29,7cm
Série tirée à 3 exemplaires
Parfois sur le chemin, la brume épaisse.
Parfois sur le chemin, la brume épaisse.
Underground Flowers Effondrement II
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 110cm x 45cm
Série tirée à 3 exemplaires
Le corps doux apprivoise l’effondrement.
Le corps doux apprivoise l’effondrement.
L’heure du thé Effondrement I
Hannaka 2018
Photos numériques noir et blanc sur papier Fine Art Hahnemühle mat 21cm x 29,7cm chaque
Série tirée à 3 exemplaires
Le froid du carrelage. Le corps caméléon sur une couleur familière cherche sa douceur égarée.
Le froid du carrelage. Le corps caméléon sur une couleur familière cherche sa douceur égarée.
Jeux d’ombres
Hannaka Nice 2015
Photos numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Suivre un inconnu
Hannaka Paris 2015
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
L’Averse
Hannaka 2015
Photos triptyque noir et blanc numériques sur papier Fine Art Hahnemühle mat 20cm x 15cm
Exil
Hannaka 2015
Photos numériques et acrylique rouge sur papier fine art Hahnemühle mat Photos : 20cm x 15cm, installation : 220cm x 70cm
J’aimerais être en haut, sur les nuages, hors espace temps, pour pouvoir traverser sans crainte ces lignes arbitraires.
(extrait de « Note sur l’exil » d’ Atiq Rahimi)
J’aimerais être en haut, sur les nuages, hors espace temps, pour pouvoir traverser sans crainte ces lignes arbitraires.
(extrait de « Note sur l’exil » d’ Atiq Rahimi)
Fight
Hannaka Nice 2014
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 100cm x 73cm
Landscape
Hannaka Poirino 2012
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 80cmx55cm
Cluster
Hannaka 2010
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 50cm x 50cm chaque
Série tirée à 3 exemplaires
Au Louvre, les masses noires, idoles de la Victoire.
Au Louvre, les masses noires, idoles de la Victoire.
Tuileries
Hannaka Paris 2010
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm et 50cm x 65cm
Série tirée à 3 exemplaires
Un matin, la neige sur Paris.
Un matin, la neige sur Paris.
Louvre
Hannaka Paris 2010
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Grandes Vues
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat Grandes Vues : 60cm x 60cm
Série tirée à 3 exemplaires
Lorsque New-York devient une composition géométrique.
Lorsque New-York devient une composition géométrique.
Manhattan
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Série tirée à 3 exemplaires
Alors les formes entre elles se mêlent.
Alors les formes entre elles se mêlent.
La corde jaune Berlin
Hannaka Berlin 1992
Photos argentiques noir et blanc et feutre jaune 21cm x 29,7cm
Tirage unique
Travail de photos et d’installations dans les rues de Berlin, dans le cadre d’un échange Erasmus.
« La peinture nous permet une expression totalement libre où tout est possible. Un paysage à l’envers, un être à deux têtes, une forme vivante et inconnue envahissant le paysage… Je voulais dans cette série rendre réelle une forme sortie de mon imagination. Elle pourrait se balader, poser avec mes amis. Je pourrais alors photographier ce que la peinture me permet. Rendre réel l’irréel.
La corde jaune née de cette idée, une corde de 60m de long, jaune comme les arbres en fleurs des avenues berlinoises. Tout d’abord elle se déploie dans les rues de Berlin, puis devient l’amie de mes amis. Je suis leurs balades dans les rues de Berlin et les prends en photo. »
Vois le rêve jaune s’accrocher au printemps.
Vois le rêve jaune s’accrocher au printemps.
La Délicatesse
Hannaka Nice 2021
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Série tirée à 3 exemplaires
La Délicatesse
Hannaka Nice 2021
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Série tirée à 3 exemplaires
La Délicatesse
Hannaka Nice 2021
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 42cm x 29,7cm
Série tirée à 3 exemplaires
Sur la table
Hannaka 2018
Photos numériques sur papier Fine Art Hahnemühle mat 80cm x 55cm chaque
Série tirée à 3 exemplaires
Sur la table
Hannaka 2018
Photos numériques sur papier Fine Art Hahnemühle mat 80cm x 55cm chaque
Série tirée à 3 exemplaires
Les Beaux Jours
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 55cm x 37cm et 21cm x 29,7cm
Série tirée à 3 exemplaires
Les Beaux Jours
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 55cm x 37cm et 21cm x 29,7cm
Série tirée à 3 exemplaires
Underground Flowers
Hannaka Nice 2018
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 110cm x 45cm
Série tirée à 3 exemplaires
L’heure du thé
Hannaka 2018
Photos numériques noir et blanc sur papier Fine Art Hahnemühle mat 21cm x 29,7cm chaque
Série tirée à 3 exemplaires
L’heure du thé
Hannaka 2018
Photos numériques noir et blanc sur papier Fine Art Hahnemühle mat 21cm x 29,7cm chaque
Série tirée à 3 exemplaires
L’heure du thé
Hannaka 2018
Photos numériques noir et blanc sur papier Fine Art Hahnemühle mat 21cm x 29,7cm chaque
Série tirée à 3 exemplaires
Jeux d’ombres
Hannaka Nice 2015
Photos numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Jeux d’ombres
Hannaka Nice 2015
Photos numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Jeux d’ombres
Hannaka Nice 2015
Photos numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Suivre un inconnu
Hannaka Paris 2015
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Suivre un inconnu
Hannaka Paris 2015
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Suivre un inconnu
Hannaka Paris 2015
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat 21cm x 29,7cm
Grandes Vues
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat Grandes Vues : 60cm x 60cm
Série tirée à 3 exemplaires
Grandes Vues
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat Grandes Vues : 60cm x 60cm
Série tirée à 3 exemplaires
Grandes Vues
Hannaka New York 2009
Photos noir et blanc numériques sur papier Fine Art Hahnemühle mat Grandes Vues : 60cm x 60cm
Série tirée à 3 exemplaires
La corde jaune
Hannaka Berlin 1992
Photos argentiques noir et blanc et feutre jaune 21cm x 29,7cm
Tirage unique
Travail de photos et d’installations dans les rues de Berlin, dans le cadre d’un échange Erasmus.
« La peinture nous permet une expression totalement libre où tout est possible. Un paysage à l’envers, un être à deux têtes, une forme vivante et inconnue envahissant le paysage… Je voulais dans cette série rendre réelle une forme sortie de mon imagination. Elle pourrait se balader, poser avec mes amis. Je pourrais alors photographier ce que la peinture me permet. Rendre réel l’irréel.
La corde jaune née de cette idée, une corde de 60m de long, jaune comme les arbres en fleurs des avenues berlinoises. Tout d’abord elle se déploie dans les rues de Berlin, puis devient l’amie de mes amis. Je suis leurs balades dans les rues de Berlin et les prends en photo. »
La corde jaune
Hannaka Berlin 1992
Photos argentiques noir et blanc et feutre jaune 21cm x 29,7cm
Tirage unique
Travail de photos et d’installations dans les rues de Berlin, dans le cadre d’un échange Erasmus.
« La peinture nous permet une expression totalement libre où tout est possible. Un paysage à l’envers, un être à deux têtes, une forme vivante et inconnue envahissant le paysage… Je voulais dans cette série rendre réelle une forme sortie de mon imagination. Elle pourrait se balader, poser avec mes amis. Je pourrais alors photographier ce que la peinture me permet. Rendre réel l’irréel.
La corde jaune née de cette idée, une corde de 60m de long, jaune comme les arbres en fleurs des avenues berlinoises. Tout d’abord elle se déploie dans les rues de Berlin, puis devient l’amie de mes amis. Je suis leurs balades dans les rues de Berlin et les prends en photo. »
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(extrait de « Note sur l’exil » d’ Atiq Rahimi)
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